Wednesday, December 30, 2015

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Tuesday, December 22, 2015

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Sur amant Fashion! Avant l'introduction, imaginons, ce ne dames veulent obtenir plus dans un club de nuit? Oui, cela est une question d'ouverture que différentes personnes peuvent avoir des opinions différentes. Mais à mon avis, le plus

l'attention des autres doit être un rôle important dans ces choses qu'ils veulent faire plus. Donc, face à cette situation, ma suggestion est que un club usure sexy ne aider beaucoup. Et il est aussi une leçon importante que la façon de

choisir un bon et sexy usure du club. Et aujourd'hui, voici notre précieuse introduction pour vous de vous fournir un bon 2015 New Clubwear.

  Comme nous pouvons tous le constater, cet article doit obtenir une centaine de scores en partie sexy. Il est un deux-pièces d'une manière que vous pouvez montrer votre corps mince off. Un point important est qu'il est décoré avec

beaucoup de rayures, votre pleine poitrine et le cul peuvent être exposés un peu entre ces bandes. Et tout le port peut couvrir votre corps bien, de cette façon, vous pouvez façonner votre corps très bien et laisser les autres admirent

votre corps en forme de S beaucoup. Mesdames, vous le méritent vraiment.

Wednesday, December 9, 2015

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Monday, November 9, 2015

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Monday, October 26, 2015

Why Uniqlo May Soon Become The Ikea Of Clothes

Why Uniqlo May Soon Become The Ikea Of Clothes
Why doesn’t this already exist here? You hear this a lot when talking to people who are introduced to Uniqlo for the first time. It’s a valid question: In the land of plenty (of stores), why isn’t there one dedicated to stocking affordable, no-fail basics? A decade ago, that retailer was most likely American Apparel; 20 years ago, it was Gap. But in a fashion landscape where clean minimalism is proving to stand up against the more-is-more, what’s-the-next-trend culture that’s long driven fast-fashion’s success, it seems insane we don’t have a go-to retailer for replacing basics.
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Uniqlo is gunning to fill that void, and with the opening of its flagship Chicago store on October 23, it’s planting its flag further into American soil. It’ll be the Japanese brand’s first location in the Midwest, and the 45th store in the United States. But outside of California and the East Coast, Uniqlo is still a total unknown, and even for those who have one in their backyards, the shopping experience can feel like nothing else that’s in the mall. For a brand that doesn’t really stock “trends,” that seeks designer collaborations with relative unknowns like Christophe Lemaire and Inès de la Fressange, and whose cashiers hand you your credit card and receipt with two hands — there’s some explaining to do.

I asked Tadashi Yanai, Uniqlo’s chairman, president, and CEO (not to mention the richest person in Japan), who he thought was a fair competitor. “No one,” he responded via a translator. But when I suggested that there were plenty of similarities between his company and another retailer that has arguably dominated its sector and has achieved worldwide name recognition, he nodded in approval. “That’s interesting,” he said. “I can see that.”

To understand Uniqlo’s quirks, how to shop it, and why you should, it might help to compare it to Ikea. Here are five parallels between the two:

 
PHOTO: COURTESY OF UNIQLO.
1. They each make a standard roster of products every year.
No matter what time of year, what year it is, or which city you’re shopping in, you can pretty much count on the fact that you will be able to get a Billy bookshelf, a Malm dresser, or a Lack side table on your Ikea trip. Uniqlo operates the same way, and that's because it sells clothes — not fashion, which seems contradictory for a fashion company. “We’re not chasing trends,” Uniqlo’s president and global creative of Fast Retailing Co. John Jay tells me. And while a Uniqlo store might seem very much in style with its array of simply cut minimal pieces in a subdued palette of navy, black, gray, and cream, it’s a basics store that — for the most part — stocks the same styles, patterns, and cuts year after year.

Uniqlo calls this category “Lifewear,” and it includes such wardrobe staples as the oxford shirt, the easy ankle pant, slim-fit jeans, and the full-zip hoodie. That black cardigan you bought last year that you want again, but in another color, will most likely be in the store when you go back. It might not have the exact same print, or maybe its buttons have been updated, but the majority of Uniqlo's products are lifers — and that’s something that sets it apart from nearly every single American retailer these days, save for American Apparel.

I asked Jay about the fact that Uniqlo’s American expansion seems to be perfectly timed with certain fashion trends, but he's not biting: “We as a company don’t chase fashion. It’s partially a Japanese thing — everything has a purpose and an intellectuality. It’s not, ‘Let’s get the hot photographer to shoot the hot girl in the hot location wearing hot clothes.’ I’m sorry, but there’s more to life than that. I know that normcore is a trend. But it’ll pass at some point. But we’ll still be here.”
 
PHOTO: COURTESY OF UNIQLO.
2. They’re both obsessed with perfection.
If you’ve managed to hold onto an Ikea bookshelf for a few years, you’ll notice that the ones in the store right now are different. The Billy has been an Ikea mainstay for over 30 years, and in that time, it’s undergone a few tweaks to improve durability and aesthetics. Uniqlo takes that commitment to improvements to the next level.

Let me tell you a story about my personal obsession with Uniqlo’s black ankle socks. I bought a three-pack two years ago, and fell in love immediately. They were perfect in every way: the right opacity, the right rise, the right amount of stretch, and the right thickness. But when I went back to stock up on more, they were different. Somehow, they were even more perfect. I bought five packs, and my feet don't touch any other brand.

I asked Yuki Katsura, Uniqlo's head of research and design, who pointed out that just because Uniqlo doesn't constantly replace its current stock with new trends, doesn’t mean that the designs aren't constantly being fiddled with. “It usually takes one year to make changes to a product. If we develop a new fabric or a new functionality, it might take at least one year. For us, once we notice that something is selling, we’ll never stop selling it — we’ll just keep upgrading, upgrading, upgrading it.” Says Jay, “Every season, whether you notice it or not, those black socks have improved. We’re striving for perfection.”

During a Tokyo conference in which Uniqlo showcased the newest versions of its Lifewear to international press, there was a display that showed the evolution of one of Uniqlo’s most popular products: Heattech. Since it was introduced in 2003, there have been several iterations that, individually, felt like small steps, but the difference between the 2003 version and the 2015 version of the same Heattech turtleneck was like the difference between cheesecloth and cashmere.
 
PHOTO: COURTESY OF UNIQLO.
3. They both help you solve your most annoying problems (especially the ones you didn’t even realize could be fixed).
Ikea has built its business on addressing many of the very real issues in modern domestic life: too-small apartments, a lack of built-in storage space, tech clutter, a limited budget. Oftentimes, you don’t even realize that you’ve been living with an annoying issue until you come across a genius solution while navigating the aisles at Ikea. This is no accident. In fact, it's spelled out in the mission statement: “To create a better everyday life for many people."

At Uniqlo, products also typically come with two functions: To clothe you, sure, but more interestingly, to fix an annoying problem. If you’re sweating constantly and can’t deal with thick fabrics, Uniqlo’s got Airism. Freezing during the winter but don’t want sausage arms? There's the aforementioned Heattech and an Ultra Light Down product line. Need a workout tank with some support? Uniqlo made a bra-top for just that problem. “We want to cater to the needs of all generations, all segments, and all walks of life," mentions Naoki Takizawa, design director at Uniqlo. "We want to cover everyone’s needs and try to offer everyone a very comfortable lifestyle.”
 
PHOTO: COURTESY OF UNIQLO.
4. They’re both affordable, but they’re not “downmarket.”
Nearly every single person in the United States within driving distance of an Ikea owns something from the mega-retailer. It’s very likely that the first piece of furniture you ever bought was from there — and you won't stop shopping from the brand even as your budget starts to expand. The anonymous nature of Ikea products means they match with anything else, whether it’s Corbusier or Kmart, and the fact that they’re affordable doesn’t make them any less desirable. Good design is good design, regardless of price.

While this kind of affordable basics superstore exists for nearly every single kind of store, it doesn’t seem to exist really for fashion. American Apparel delivered for nearly a decade, and Gap owned the market before then, but there isn’t one retailer that comes to mind immediately when you need a solidly made black sweater, and don’t want to make a dent in your bank account.

In the 30 years that Uniqlo has existed in Japan, its become an integral part of a Japanese person’s closet. From Uniqlo’s own estimates, 80% of Japanese people own Heattech, and an even higher percentage own a Uniqlo item. For a clothing item to rise above the luxury versus fast-fashion divide here will be a feat — but if any brand can become the Coca-Cola or Apple of fashion, Uniqlo has a fighting chance.
 
PHOTO: COURTESY OF UNIQLO.
5. Uniqlo is as Japanese as Ikea is Swedish.
When you walk into Ikea, you know that it’s not an American company. Those meatballs, for one; the blue-and-yellow logo, minimalist-gone-folk designs, the importance it places on nature, and those infinitely punnable product names. It's a Swedish brand proud of its roots, and expects its global consumers to adapt to its way of doing things. Don’t like fish in a tube? Too bad — Ikea hopes you’ll try it one day and change your mind.

At Uniqlo, its Japanese heritage goes beyond retail staff wearing yukata and providing Japanese-style gift wrapping over the holidays. The business is run on the idea of “omotenashi” — a very Japanese-specific brand of hospitality and customer service. If you’ve ever traveled to Japan, you’ll immediately know what it means. It’s gestures as simple as being handed your credit card with two hands, and courtesy as pronounced as anticipating your needs before they occur to you. “There are days-long seminars just on that concept alone,” says Jay. Even though Uniqlo is planning for its overseas stores to outnumber its Japanese ones within the next year (currently there are around 840 shops in Tokyo alone and 650 abroad), there’s an expectation that all employees display omotenashi, which is taught to every single worker in a weeks-long training program.

Jay also believes that the idea of efficiency is a very Japanese concept. “In Japan, they value longevity and simplicity. You get there by innovating at every level within the company. Things get better and better, but also cheaper and cheaper.” Uniqlo boasts that it’s able to do that by keeping operations at a low cost (for example, the company leases all of its retail spaces to stay flexible and has no qualms about shutting down underperforming stores), it places large-lot orders to keep prices down on luxury natural fibers (hence $80 cashmere), and it has a streamlined design-to-manufacturing-to-retail process that minimizes waste. Rumor has it that Uniqlo is so good at predicting exactly how many units it’ll sell that it never has to resort to major discounts to get rid of overstock. Sales usually top off at 30%.

Japanese culture is also largely non-symbolic, meaning that there’s a tendency to remove the romance, nuance, and associated culture from items (which has made Japanese dressers some of the most prolific offenders of cultural appropriation, but also some of the most creative). Jay recalls an exercise he did at Uniqlo in 1998, when he placed a pair of khakis on the table and asked his Japanese team what they saw. “I said, I saw in these khakis Bobby and John Kennedy playing a high-end sport on the beach with cocker spaniels running in the water. I saw khakis worn with a white T-shirt. My team just saw a pair of khakis. Oftentimes, Japanese have no tradition of Western clothing and culture, so they totally objectify things.”


Tuesday, October 13, 2015

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Friday, October 9, 2015

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Monday, September 28, 2015

Milan Fashion Week: Miuccia Prada's clothes speak for themselves

Milan Fashion Week: Miuccia Prada's clothes speak for themselves
Prada's intentions are frequently illuminating and always fascinating, but her work is complex enough to see your own truth and story in it
I’ve been told by enough designers that time is luxury. I think thats why people are creating things that take up so much of the damn stuff, because its the only thing that’s really worth anything when previously precious materials have been commonplace, and now just common, and good design is all too frequently taking a back seat to churning out money-making stuff. So I took my time writing this, despite braving the ritualistic hurtling of press backstage to find out as fast as humanly possibly what has made Miuccia Prada’s brain whirr over the past six months. It is a rush like no other because Prada is one of fashion’s great thinkers, and this is the one chance to hear straight from her what she intended us to see. It’s also a rush because Mrs Prada shows at 6pm of a Thursday evening in Milan, so editors fling themselves at their keyboards to make the European newspaper deadlines. No time you see. No luxury.

I enjoy the scrabble. It’s not something I do all that often, at shows - but it’s worth it there. That’s because Miuccia Prada always has exciting, interesting notions, which maybe gel with what you saw in the show, but perhaps jar. I always think a Prada show is a bit like a fashion Rorschach test. It’s more a measure of you than her, to see if you see what you’re supposed to see, and if you like it or not.

However, I also like to make up my own mind about Prada. Her intentions are frequently illuminating and always fascinating, but her work is complex enough to see your own truth and story in it. It’s open for interpretation, rather than the homogeny of eighties, seventies, hippy or goth offered by other designers, superficial references sliding across the surface. Mrs Prada’s ideas are embedded, ingrained in her clothing. Everyone will unpick them differently. Think of it as a theoretical essay - Prada: discuss.

In pictures: Milan Fashion Week spring/summer 2016
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show all

This time, however, Miuccia Prada wasn’t there to see her own show, due to a family bereavement. There are some things bigger than fashion, even when you are one of its defining figures. Mrs Prada left the design studio at midnight the day before the show, and the thronging crowds backstage were met not by she, but by a he: Fabio Zambernardi, design director of both Prada and Miu Miu. He’s generally a behind-the-scenes type - a few members of the press, the same ones who push into Mrs Prada’s face for answers every season, later asked me his surname, which illustrates quite how unknown he is.

Zambernardi did Mrs Prada proud in deciphering the meaning of this show - he talked about subverting classics, about the bubbly transparent organza jackets and skirts being like the memory or idea of a garment, rather than its concrete physicality. Layered over other more substantial garments, they leant them a mirage-like ethereal quality. Chopped-up scraps of millinery veiling were pasted against the models’ necks; the organza stuff felt like veils over the clothes too, blurring hemlines and outlines. It felt a little like a curator explaining the intentions of an artist as we wandered about their gallery opening.

Forget classics, and ghosts of garments, and all those suits - although the return of the latter, in the wake of the Conservative victory and a Right Wing wave across Europe, is a fascinating example of fashion reflecting political upheaval. What’s more conservative than a neatly matching skirt-suit, lines of patchwork straight and narrow?

I never think of Prada’s clothes as straight and narrow - the former especially evident in her menswear’s sly, transgressive sexuality. And no-one’s reach, nor mind, is broader in fashion than Mrs Prada’s. Except, possibly, Rei Kawakubo of Comme des Garçons, although i feel Kawakubo has distanced herself from the fashion world - and even clothing - in recent seasons. Mrs Prada, by contrast, is at its beating heart.

READ MORE
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Ready To Wear: I love it when Miuccia Prada and I have the same
Miuccia Prada and Elsa Schiaparelli: In a league of their own
What are my other takes on these clothes? How about the primacy of line, the idea of the simple, even primitive gesture of marking a horizontal or vertical, which was the foundation of both illustration and language in prehistoric times. The martingales splicing Mrs Prada’s jackets at the back were horizontal, all that patching vertical, her tweeds in prince-of-wales checks, like cross-hatching across the body. Those veils were criss-cross checkers too, come to think of it. The print, on organza coats and skirts, looked like parallel lines of matchsticks. Then the embroidery, the glorious, scribbled flowers in pailettes spilling out of the collection’s predominantly narrow silhouettes. Mrs Prada colouring outside her own lines. They looked luxurious, and like they took a long, long time. They clattered loudly as the models took their turns below curving panes of plastic, like blown up palettes themselves.

There were also absolutely no trousers. So maybe straight and narrow was indeed a key notion - the inherently feminine, archetypes of female fashionability, the fifties hat veiling, the exaggerated earrings, the gilded lips, the industrial heels, like court shoes with their trappings stripped away to expose their innards. Combine that with those ghost garments and there was an idea of looking inward, examining the construction of the feminine ideal, debunking the mystique. It felt not like the volte-face Prada normally explores, but a further extrapolation on the genetically-modified femininity of Prada’s winter collection. That collection was about what women wanted, a notion Mrs Prada told me she was fascinated by. The odd machination of desire, which is the very reason the fashion industry exists, a business devoted to convincing us all we need to buy a new jacket (here, in stripes, with those big fat martingales) when we all already own so many.

Mrs Prada, ultimately, didn’t need to be here to talk to us. Because her clothes speak for themselves.

Monday, August 3, 2015

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Tuesday, July 28, 2015

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Thursday, June 25, 2015

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But after decades of completely ignoring overweight women in fashion, film and music, Ashley believes that the tide is finally changing thanks to more and more women speaking out about their needs being ignored.

She has just launched her own 19-piece lingerie range for plus-sized online retailer Navabi, with bras starting at 36DD and going up to 44E.

With the average British woman in the UK now a size 16, Ashley hopes we are seeing an end to a clothing market focused solely on the perfect size ten.
Ashley wants more fashion houses to use curvy models so that the general public can see themselves represented on TV and in magazines
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Ashley wants more fashion houses to use curvy models so that the general public can see themselves represented on TV and in magazines

She said: 'To see the changes in this industry is phenomenal and I'm excited to see where it's going.

'I really feel that curves are in and everything that I do on Instagram is #curvesarein.

'(As plus size models) we go on the runway castings as much as we can for the high end designers that have never done plus-size before.

'And for the beauty adverts - just because I'm plus-size doesn't mean that I can't do a beauty or hair campaign.

'I was on the cover of Elle at the beginning of the year, I have done some editorial for Harpers Bazaar and I'm in Love Magazine and Miss Vogue right now, so it's happening.

'That's when you know the industry is changing.'

Often, change starts with prominent public figures taking a stand and Ashley believes that British singer Adele is one of the stars that have really helped push the cause of curvy women in the western world.
Although Ashley is larger than your average model, she maintains a healthy and active lifestyle
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Although Ashley is larger than your average model, she maintains a healthy and active lifestyle

She said: 'With Adele, people aren't looking at her and saying that's a big girl who can sing, they're just saying that's Adele.

'But it's still something lingering over people's minds.

'Melissa McCartney is still only cast for big girl roles - I think that there is still that struggle in TV and film but she is still getting very high-profile roles.'

However, there is still most of the work to be done,in the last two Fashion weeks - during February this year and the most recent one last month - Ashley maintains that all of the big fashion houses did not want to use anybody plus-size on their catwalks.

She said: 'In February's fashion week and this fashion week, no high end designers wanted to use plus-size.

'There was a backlash - they saw us and they thought we were great, but they also said they were't ready to work with us yet.
Over years of working in fashion, Ashley Graham has worked out how to dress to best flatter her figure
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Although Ashley enjoys accentuating her hourglass figure, she also likes to wear slouchy clothes
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Over years of working in fashion, Ashley Graham has worked out how to dress to best flatter her figure - she enjoys both accentuating her hourglass figure (left) and wearing slouchy clothes (right)

'So while they see the curves and the plus-size, there aren't any high end designers putting curves on the catwalk yet.

'But things are going to be changing soon, the fact that they are open to seeing plus-size models at castings - that's a big deal.'

Ashley is most concerned about pushing through a change because she believes is is something that normal women need to see - plus-size women being admired and welcomed by the media and fashion - in order to feel good about themselves.

She said: 'I think seeing plus-size women on catwalks gives normal women confidence by knowing that there are actually people their size.

'They want to see themselves in the magazine - whether they are 13 or 45, they want to see someone representing them on a billboard, in a magazine or in a campaign.
Ashley Graham at Navabi, Padded bra, £39
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pearl bra, £39
lace bra, £39

Ashley Graham for Navabi bra collection left to right: Padded bra, £39, Non-padded Full Coverage bra, £39, pearl bra, £39, lace bra, £39. Bra sizes range from 36DD to 44E
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Ashley Graham for Navabi  pants collection, each £17

'It's important for women to see body diversity in the community reflected in the media and you can tell it's wanted.'

'I have talked to multiple girls in different high schools with some other plus-size models, I also just went to a weight loss camp in upstate New York and it was really interesting because there were girls from a US size six (UK 10) and some as a US size 22 (UK 26).

'These girls couldn't believe that there were these models who were plus-size, who were excited about their curves and who were in the media.
Wholesale Womens Cheap Summer Dresses Online Store Wholesale Cheap Sexy Women Tight-fitting Bodysuit/Pants/Dresses Outlet Online Wholesale Sexy Cheap Jumpsuits & Rompers For Women 'They don't know that it exists and they were excited and they said to us, 'Thank you for making me feel so incredible about my body.

'I don't have role models like this but you have created one for me.'
ASHLEY'S TIPS FOR DRESSING A PLUS-SIZE FIGURE:

Dress for your body type - trends don't necessarily matter

Buy classic pieces that you can wear in five or six years time - your wardrobe will grow immensely

Be confident to show off your hourglass figure

If you feel good in an outfit then it shows - Ashley would rather be half an hour late than not feel good in what she's wearing for the day

'To have 13,14 and 15-year-old girls say this was so nice and it really makes me want to do something about the fashion industry.'

And while Ashley is full of positivity about women embracing their bodies, the model maintains that she is extremely anti-overeating.

Over the years, being a plus-size model has made her a figurehead for the anti-fat brigade, with people accusing her of making the world an unhealthier place by promoting curvy bodies.

She said: 'I absolutely hate that. To the people who say I am pro-obesity, I laugh in their face.

'I am pro-health and I am pro-diversity.

'If you look on my Instagram page, you can see that I work out constantly and I have a workout video coming out that shows you how to work out and keep your curves.

'I work out three-four days a week but I can modify my eating to kind of what I want, I also like green juices and healthy salads.

'I just happen to be big boned and have an extra layer of meat on me.'

Monday, June 8, 2015

Wholesale Bikinis To be a happy woman

To be a happy woman
Beautiful ladies, attention please! Here come your benefits. Do you want to be the sexiest woman in the world  Do you want to be the woman that your husband will love you endlessly  I think your answer must be “yes”. Actually, every woman wants to be the only one who is the most beautiful woman in their husband’s eyes. And they will try every method to make them the most beautiful one.
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Now I strongly recommend you this kind of babydoll lingerie, which is totally made up with lace. It is an alluring black sheer lace lingerie with body flow intimate apparel dark cup halter open mini plunge top. To be honest, a lot of men view a woman, they tend to look woman’s taste of dressing, if a woman wear something fashion and sexy, men will think that the woman is discerning, and he is definitely willing to have a date with that woman. Let’s focus on the details, the sheer design will present your wasp waist perfectly which make you to be extremely hot. What’s more, the cup halter is open, so you can show your satiny breast to your husband. This kind of babydoll lingerie is bound to make you the most discerning and charming woman in you husband’s eyes and he will think you are very sexy and fascinating.
My ladies, don’t waste time! You should seize every chance which will makes you become more and more attractive and beautiful. Now buy it, open the door of happiness, you will be the happiest woman in the world. And you can be the most beautiful woman!

Monday, April 27, 2015

You Are The Different One



Do you think you are not as young as before? Does your husband begin to think that you are older than before? Are you worried about these problems? We all know women become old, it is faster than men. So it is normal that your husband thinks you are not as cute as before.
What you should do is to change your wearing style. You should wear something cute to allure your husband. Now I would like to introduce this kind of Seductive Pink and Black Checked Lace Skirt and Cropped Tied Top With Collar School Girl Costumes Styled Set to you. You can use the seductive pink ribbon to tie your hair up, which will make you become sexier and cuter. Wholesale sexy costumes will help you look younger. The most important parts of this clothes are the lace skirt and color school girl styled set, if you wear them, your husband must be surprised with your lovely wearing. You will become younger and cuter. It will call up your husband’s memory when you fell in love with each other. He will can’t help having sex with you. What’s more, both of you are passionately in love.
Ladies, to be sexy, you can not only wear your sexy lingerie, but also this kind of school girl styled suit. You will be lovely, you can seduce your husband easily. What are you waiting for? Buy it, you will be different.
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Monday, April 13, 2015